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History of hardcore punk

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Kids in D. We took it to a different place. The branding of straight edge was solidified in Boston. In , the Boston hardcore scene was in its infancy. There were maybe six or eight of us that kept bumping into each other. My first encounter with Al Barile was at a Dead Kennedys show.
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A Short History of The Hardcore Punk Underground in the Philippines | Bandcamp Daily

Crunching rhythms, aggressive lyrics, breakdowns and tempo-shifts permeated the music and instantly reeled in American teens. It was in Los Angeles that perhaps the most influential hardcore band was formed, Black Flag. Led by eccentric lead singer Henry Rollins, the band focused on themes including poverty, paranoia and neurosis. Their non-conformist ideology also resonated for many young fans in LA. While the Los Angeles scene established the musical aspects of hardcore music, Washington D.
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A History of Hardcore

Hardcore punk often abbreviated to hardcore is a punk rock music genre and subculture that originated in the late s. It is generally faster, harder, and more aggressive than other forms of punk rock. It was also inspired by New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism , the established music industry and "anything similar to the characteristics of mainstream rock " [11] and often addresses social and political topics with "confrontational, politically-charged lyrics. Hardcore sprouted underground scenes across the United States in the early s, particularly in Washington, D.
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This soundtrack, culled from a documentary film of the same name, simultaneously traces the musical and geographical progression of the U. By , punk rock was a decadent parody of itself. As Sid Vicious was doing his best to off himself by heroin, many punks-- glue-sniffers, murderers, rabid leather spikers-- were on their way to joining him. Ronald Reagan and cocaine were ascending, disco was reaching its commercial peak, and the nascent post-punk genre hardcore was, to the extent that a bunch of year-old boys were capable of articulating it, a response to both the musical and cultural moment in which they found themselves-- a music and movement in negation of damn near everything. So there's some irony to the current wave of hardcore punk adoration and excruciatingly thorough documentation: Though Henry Rollins and Keith Morris are now, finally, inviting you to feel their quarter-century-old pain, the music to which they wistfully reminisce is vehemently anti-neophyte.
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